The Graphic Design Reader

Issue: A Subjective Family Tree of (mostly) American Graphic Designers (1960-2011), Michael Worthington and Yasmin Khan II.2 Post-Graduate Education and Graphic Design as a Profession 6. Design Literacy, Discourse and Communities of Practice, Sharon Helmer Poggenpohl 7. What is Worth Doing in Design Research?, Meredith Davis 8. Locating Graphic Design History in Canada, Brian Donnelly 9. French Graphic Design: A Contradiction in Terms? Véronique Vienne 10. The Importance of the Dutch Football Club Ajax and Total Football (totaalvoetbal) to the Sport of Graphic Design, Elliott Earls 11. Graphic Design: Fine Art or Social Science? Jorge Frascara Guide to Further Reading SECTION III: TYPE AND TYPOGRAPHY Introduction III.1 History of Type and Typography 1. A Brief History of Type Historians, Caroline Archer 2. The Crystal Goblet, or Printing Should be Invisible Beatrice Warde 3. Fuse 1-20: Wreckers of Typographic Civilisation, Adrian Shaughnessy 3. Experimental typography. Whatever that means; Conceptual Type? Peter Bil'ak 4. Towards the Cause of Grunge, Tobias Frere-Jones 5. About the Making of The Telephone Book, Michael Jon Jensen 6. Helvetica, The Film and the Face in Context, Dietmar R. Winkler III.2 Dimensional, Physical, Digital, and Kinetic Typography 8. Dimensional Typography: Case Studies on The Shape of Letters in Virtual Environments J. Abbott Miller 9. Dimensional Typography: The Unbearable Flatness of Being, Leslie Atzmon 10. The New Seduction: Moveable Type, Michael Worthington 11. Electronic Typography: The New Visual Language, Jessica Helfand 12. Working the Art Process by Typing in Computer Code, Casey Reas and Ben Fry in discussion with Javier Candeira Guide to Further Reading SECTION IV: GRAPHIC DESIGN CRITICAL WRITING AND PRACTICE Introduction IV.1 Graphic Design Theory and Design Culture 1. Deconstruction and Graphic Design, Ellen Lupton and J. Abbott Miller 2. Visual Rhetoric and Semiotics, Edward Triggs 3. Shaping Belief: The Role of Audience in Visual Communication, Ann C. Tyler 4. Graphic Design as Rhetoric: Towards a New Framework for Theory and Practice in Graphic Design, Arne Scheuermann 5. Theories to Understand Graphic Design in Use: The Example of Posters, Jan-Henning Raff IV.2 Writing, Practice, and Graphic Design Criticism 6. What is this Thing Called Graphic Design criticism I & II? Rick Poynor and Michael Rock 7. Criticism and the Politics of Absence, Anne Bush 8. Quietude, Kenneth FitzGerald 9. Critical Graphic Design: Critical of What? Francisco Laranjo 10. The March of Grimes, Michèle Champagne 11. Discourse This! Designers and Alternative Critical Writing, Denise Gonzales Crisp 12. Acrobat Reader, Anna Gerber and Teal Triggs 13. How and Why Design Matters, Debbie Millman 14. Inquiry as a Verb: DesignInquiry, Margo Halverson 15. Graphic Design in the Collection of the Museum of Modern Art, Paola Antonelli Guide to Further Reading SECTION V: POLITICAL & SOCIAL CHANGE Introduction V.1 Feminism and Radical Graphic Design 1. Some Aspects of Design from the Perspective of a Woman Designer, Sheila Levrant de Bretteville 2. Non-existent Design: Women and the Creation of Type, Sibylle Hagmann 3. Pussy Galore Buddah of the Future: Women, Graphics, etc., Catherine de Smet 4.VISUAL ESSAYS:First Things First manifesto,1964, Ken Garland and First Things First 2000 manifesto (1999), Ken Garland, Adbusters 5. VISUAL ESSAY: This Year There is No Manifesto, Jonathan Barnbrook and Anil Aykan 6 Design and Reflexivity, Jan van Toorn 7. Scissors and Glue: Punk Fanzines and the Creation of a DIY Aesthetic, Teal Triggs 8. He Might Be Giant: Shepard Fairey, Michael Dooley V.2 Identity and World Graphic Design 9. From the Outside In: A Place for Indigenous Graphic Traditions in Contemporary South African Graphic Design, Piers Carey 10. Searching for a Black Aesthetic in American Graphic Design, Sylvia Harris 11. Finding Roots & Taking Flight: Expression of Identity in Contemporary Graphic Design in India, Mohor Ray 12. Visualizing Multi-Racialism in Singapore: Graphic Design as a Tool for Ideology and Policy in Nation Building, Leong K. Chan 13. VISUAL ESSAY: 'Iced Up' and 'Platinum Plus': The Development of Hip-Hop Typographic Ornaments, Ryan Molloy 14. South African Health Campaigns Dominate the Political Landscape, Sean O'Toole 15. Detachment and Unification: A Chinese Graphic Design History in Greater China Since 1979, Wendy Siuyi Wong Guide to Further Reading SECTION VI: CHANGING VISUAL LANDSCAPES Sectional Introduction VI.1 Branding and the Image Makers 1.My Country is Not A Brand, William Drenttel 2. Logos, Flags, and Escutcheons, Paul Rand 3. A Certain Commitment: Art and Design at the Royal PTT, Paul H. Hefting 4. On Logophobia, Elizabeth Glickfeld 5. How the First Typeface Designed for the Maori Community is Changing the Way New Zealand Understands its Own Cultural Identity, Margaret Andersen VI.2 Information Visualisation 6. VISUAL ESSAY: Design Quarterly: Does it make sense? April Greiman and Making Sense of Making Sense, Louise Sandhaus 7. Why Abraham Lincoln Loved Infographics, Gareth Cook 8. The London Underground Diagram: A Semiotic Analysis, John A. Walker 9. Bubbles, Lines, and String: How Information Visualization Shapes Society, Peter Hall 10. Tell Them Anything but the Truth: They Will Find Their Own. How We Visualized the Map of the Future with Respect to the Audience of Our Story, Michele Graffieti, Gaia Scagnetti, Donato Ricci, Luca Masud, and Mario Porpora 11. Data Manifestation: A Case Study, Karin von Ompteda Guide to Further Reading SECTION VII: GRAPHIC DESIGN FUTURES Sectional Introduction VII.1 The Future of Print Media/the Book 1. What is the Cult Future of the Book, Johanna Drucker 2. The Signifier of Incompleteness: Editorial illustration in the New Media Age, Nanette Hoogslag 3. Rethinking the Book: Navigation and Wayfinding, David Small 4. Writing Design: Towards a Culture of Code, Stéphanie Vilayphiou and Alexandre Leray VII.2 The Forefront of Graphic Design Practice 5. Social Design: The Context of Post-Conflict Lebanon, Joanna Choukeir 6. Emil Ruder: A Future for Design Principles in Screen Typography, Hilary Kenna 7. Everything to Come is Designed by You. Tea Uglow 8. VISUAL ESSAY: RCA Graphic Design: 1960s-2010s, Rosy Penston Epilogue: Adaptive Communication, Complex Networks, and Local and Global Design Notes from the Forefront of Graphic Design, Teal Triggs and Leslie Atzmon Annotated Guide to Further Reading