Tensions in World Literature

1 Introduction: What Is World Literature? 2 Comparative Literature and World Literature: From Goethe to Globalization 3 The Location of World Literature
4 Frames for World Literature
5 World Literature and the Encounter with the Other: A Means or a Menace? 6 Some Remarks on the Concept of World Literature After 2000 7 World Literature, Canon, and Literary Criticism
8 Four Perspectives on World Literature: Reader, Producer, Text and System 9 A World of Translation
10 World Literature in Graphic Novels and Graphic Novels as World Literature 11 Experiments in Cultural Connectivity: Early Twentieth-Century German-Jewish Thought Meets the Daodejing 12 Ideographic Myth and Misconceptions about Chinese Poetic Art 13 Chinese Literature as Part of World Literature
14 How to Become World Literature: Chinese Literature's Aspiration and Way to "Step into the World" 15 World Literature from and in China
Dialogue Section A: World Literature and Nation Building
Dialogue Section B: The Interactions between the Local and the Universal: A Few Thoughts after Listening to the Talk of Professor Damrosch Dialogue Section C: World Literature: Significance, Challenge, and Future Dialogue Section D: Who Decides the "United Nations of Great Books": Inspired by Prof. Zhang's Speech Dialogue Section E: Response

Weigui Fang is Distinguished Professor at the School of Chinese Language and Literature, Beijing Normal University, China. He is Changjiang Scholar and Director of the Center for Literature and the History of Ideas at BNU. As an internationally acclaimed comparatist, his research is focused on Comparative Literature, modern Chinese culture and literature, History of Concepts, Sociology of Literature, and international sinology. He has authored 8 books and published more than 100 scholarly papers.