Monster in the Middle
A Novel
(Sprache: Englisch)
Reveals on every page how love can persevere and take shape over time and space. Boston Globe
"Transporting and deeply emotional. Glamour
One of the most inventive and talented stylists of her generation. ...
"Transporting and deeply emotional. Glamour
One of the most inventive and talented stylists of her generation. ...
lieferbar
versandkostenfrei
Buch (Kartoniert)
19.60 €
- Lastschrift, Kreditkarte, Paypal, Rechnung
- Kostenlose Rücksendung
Produktdetails
Produktinformationen zu „Monster in the Middle “
Klappentext zu „Monster in the Middle “
Reveals on every page how love can persevere and take shape over time and space. Boston Globe"Transporting and deeply emotional. Glamour
One of the most inventive and talented stylists of her generation. Vulture
From the award-winning author of Land of Love and Drowning, an electric new novel that maps the emotional inheritance of one couple newly in love.
When Fly and Stela meet in 21st Century New York City, it seems like fate. He's a Black American musician from a mixed-religious background who knows all about heartbreak. She s a Catholic science teacher from the Caribbean, looking for lasting love. But are they meant to be? The answer goes back decades all the way to their parents' earliest loves.
Vibrant and emotionally riveting, Monster in the Middle moves across decades, from the U.S. to the Virgin Islands to Ghana and back again, to show how one couple's romance is intrinsically influenced by the family lore and love stories that preceded their own pairing. What challenges and traumas must this new couple inherit, what hopes and ambitions will keep them moving forward? Exploring desire and identity, religion and class, passion and obligation, the novel posits that in order to answer the question who are we meant to be with? we must first understand who we are and how we came to be.
Lese-Probe zu „Monster in the Middle “
The story of Fly's fatherSan Francisco, California-Memphis, Tennessee
1989
1.
The lights said motel. And there wasn't a bulb missing. Not that it would have mattered if it said otel. Or mote. Not in all that rain. Not after all they had been through. The earthquake, the road, each other. They had avoided crossing the bay altogether. The Bay Bridge had collapsed, but they didn't know that for sure then. They drove south, down into the righteous belly, the holy thighs. Saint Mateo, Saint Jos , Saint Luis, Saint Maria, Saint Barbara, Saint Clarita. All the good men and women giving their names to those sad cities. They stopped in the City of Angels. They took the 10 through San Bernardino. Drove through Cathedral City just for the name. Stopped outside Phoenix, where he dipped a wrench into the engine and made the car purr. A day later in Las Cruces. The crosses. There they held each other in the car while Soul II Soul streamed in through the car's CD player. They stayed on the 10. Ten became a holy number. They drove across Texas almost without stopping. But then they stopped. In Saint Antonio. Drove that city until they found the Black people. Slept on a grocer's floor. Bags of rice, their pillows. Then they started back north. "We got to avoid Louisiana," Gary said to her. "And Mississippi." It had been a mission until Texas. A sacred thing, a quest.
... mehr
After Saint Antonio, the road was all Eloise dreamed. The long road unstopping. They were driving into hell, it felt like. It was getting closer to winter. And yet, they were getting hotter. They abandoned the 10, took I-35 to meet Saint Marcos. Avoided Dallas. Followed an off-road just to sight some water called Palestine. Then up and up, into Arkansas. The sign to a city read Hope. Eloise held on to that image. The next stop was supposed to be Charlotte. Then they would decide. North to New York or south to Miami. Either way, a boat ride to paradise. But then the rain.
2.
Back on that first night in Los Angeles they had stayed on the couch of a dark-skinned pastor. A Baptist, Eloise supposed, though it was never said.
"An orphan like me," Gary told her. "But found his way through God. Missioned on me when the voices got nasty."
The two of them slept on the pastor's couch together, like children, brother and sister. Only they weren't brother and sister. Could never pass for that. And they weren't children. Why people opened their doors to them, perfect strangers, was strange to Eloise. Perhaps they could see her special gift. Perhaps it was as Gary said-that Black people wanted to watch out for them: a white woman and a Black man in love. But she didn't love him. Not then.
"We can stay here," she'd whispered that night. His body was clothed but still she could feel the all of him. "I don't mind waiting here until the dust clears. A week or two. I can work, even. I can type, you know." Her father had bought her the instruction manuals and the word processor. "And then we can find my parents. Get back to the church." She'd looked at his eyes, sealed taut in the darkness. Was he hearing the voices now? He did that, forced the light from his eyes when the voices became too bright.
"Ellie," Gary said, his lids softening and then opening. Now looking right at her and so close. "The dust is never going to clear. Isn't that what you said? We stay in the ark until the dove flies away."
It was true. She herself had indeed said that. That night among the angels he covered his ears with the palms of his hands and whispered to himself. She was pressed against his body and heard every word. "Leave me. Leave me go." And she knew better than to say anything. Sometimes just her voice made it worse for him.
In the morning, the pastor woke them with fried ham sandwiches, and smiled at them both as though they were his generous hosts and not
After Saint Antonio, the road was all Eloise dreamed. The long road unstopping. They were driving into hell, it felt like. It was getting closer to winter. And yet, they were getting hotter. They abandoned the 10, took I-35 to meet Saint Marcos. Avoided Dallas. Followed an off-road just to sight some water called Palestine. Then up and up, into Arkansas. The sign to a city read Hope. Eloise held on to that image. The next stop was supposed to be Charlotte. Then they would decide. North to New York or south to Miami. Either way, a boat ride to paradise. But then the rain.
2.
Back on that first night in Los Angeles they had stayed on the couch of a dark-skinned pastor. A Baptist, Eloise supposed, though it was never said.
"An orphan like me," Gary told her. "But found his way through God. Missioned on me when the voices got nasty."
The two of them slept on the pastor's couch together, like children, brother and sister. Only they weren't brother and sister. Could never pass for that. And they weren't children. Why people opened their doors to them, perfect strangers, was strange to Eloise. Perhaps they could see her special gift. Perhaps it was as Gary said-that Black people wanted to watch out for them: a white woman and a Black man in love. But she didn't love him. Not then.
"We can stay here," she'd whispered that night. His body was clothed but still she could feel the all of him. "I don't mind waiting here until the dust clears. A week or two. I can work, even. I can type, you know." Her father had bought her the instruction manuals and the word processor. "And then we can find my parents. Get back to the church." She'd looked at his eyes, sealed taut in the darkness. Was he hearing the voices now? He did that, forced the light from his eyes when the voices became too bright.
"Ellie," Gary said, his lids softening and then opening. Now looking right at her and so close. "The dust is never going to clear. Isn't that what you said? We stay in the ark until the dove flies away."
It was true. She herself had indeed said that. That night among the angels he covered his ears with the palms of his hands and whispered to himself. She was pressed against his body and heard every word. "Leave me. Leave me go." And she knew better than to say anything. Sometimes just her voice made it worse for him.
In the morning, the pastor woke them with fried ham sandwiches, and smiled at them both as though they were his generous hosts and not
... weniger
Autoren-Porträt von Tiphanie Yanique
Tiphanie Yanique is the author of the award-winning novel Land of Love and Drowning, as well as the short story collection How to Escape from a Leper Colony. Winner of the 2014 Center for Fiction First Novel award, and a National Book Foundation 5 under 35 honoree, she has also received a Rona Jaffe Award and a Fulbright scholarship. Her short fiction has been published in The New Yorker and anthologized in Best American Short Stories 2020. Originally from the Virgin Islands, she now lives in Atlanta, where she is a professor at Emory University.
Bibliographische Angaben
- Autor: Tiphanie Yanique
- 2021, Internationale Ausgabe, 288 Seiten, Maße: 15,2 x 22,8 cm, Kartoniert (TB), Englisch
- Verlag: Riverhead Books
- ISBN-10: 0593421183
- ISBN-13: 9780593421185
- Erscheinungsdatum: 27.10.2021
Sprache:
Englisch
Pressezitat
Praise for Monster In The Middle:Back and forth, through time and space, we examine the human propensity to love, to fail at loving, to love again . On this tumultuous mapping of American magic, we find ourselves at the center. [Monster in the Middle] boldly tells us: You are here. The New York Times Book Review
Yanique brilliantly unifies the novel through her scintillating, consistently lyrical language, whether using lampoon, introspection, or tense social drama. LA Review of Books
A genre-defying multigenerational love story that moves fluidly across time and geography. . . Yanique narratively excavates how our family origins influence our aptitude for intimacy. O, The Oprah Magazine
Yanique is a writer s writer, one of the most inventive and talented stylists of her generation [She] explores the way love can echo along the corridors of history, through police brutality and a pandemic, deftly weaving and juxtaposing the trajectories that make love possible. Vulture
The story of one couple is magnified and layered through the histories of the generations of lovers that preceded them. Spanning decades and geographies, this novel reveals on every page how love can persevere and take shape over time and space. Boston Globe
Themes of race, religion, class, and education appear throughout this ambitious novel, but its abiding focus is on the intimate, and the way broader social forces can impinge upon it Reality assumes a surreal tinge, and the fluidity of narration, across time, space, and character, imparts an epic register to the intimate encounter between Stela and Fly." Harper's Magazine
Monster in the Middle manages something extraordinary it s a truly unique story about love, specifically Black love. In Yanique s telling, it s not 'boy meets girl,' but 'two people meet, and thousands of years of family trees, values, and experiences converge.'
... mehr
. . .transporting and deeply emotional. Glamour
Each of Fly and Stela s stories could stand on their own, but when the two finally meet, it s simply perfection. The novel brings us through 2020 and the ending left me truly speechless. So can you all read it so we can discuss? (Seriously, read this.) Hey Alma
At a recent book event Tiphanie said this book is kind of an embodiment of the phrase, when you marry someone, you marry their whole family. At its core, this book is about belonging, and the tension between being held and being kept. Delectable. Magic
"Unique and memorable . . .A rich and honest examination of family histories, cultural disconnection, and the way people fall in love." Kirkus
Soft and intricate with no detail wasted. Readers are lured into the themes of self-discovery, acceptance, and trauma, with an ending well worth the investment. Booklist
"Yanique (How to Escape from a Leper Colony) inventively juxtaposes the start of a new relationship with family histories in this sumptuous saga. . . . Each arc reads as an evocative short story and an episode in the two protagonists complex set of unraveled connections. This introspective exploration of first and lasting loves will hit the spot with fans of character-driven family dramas." Publishers Weekly
Tiphanie Yanique s Monster in the Middle is a compelling exploration of how we become who we are and how we manage to find our way to love. In her lyrical prose, the myriad possibilities of being the accidents of birth, of sex, of race and geography, the choices we make, our compulsions coalesce into something that feels, gloriously, like destiny. Natasha Trethewey, Pulitzer Prize-winning author of Memorial Drive
Monster in the Middle is as boundless as it is affecting. Yanique s prose leaps with possibility, as her characters live and laugh and fight and love. Yanique captures romance from its peaks to its craters, deftly weaving whole worlds from everything in between. Bryan Washington, author of Memorial
A total wonder. Utterly original and structurally thrilling. I am in awe of this novel and Tiphanie Yanique s masterful storytelling. This feels like a modern fable, a contemporary folk ballad full of unforgettable characters who, by the end, felt as familiar to me as family. What a gorgeous ode to love and its power. Brandon Taylor, author of Filthy Animals and Real Life
Tiphanie Yanique is one of our very best writers. This book is another marvel, expertly mixing voices and styles, even structures and traditions, to capture the way lives naturally flow together and apart over time. . .Monster in the Middle is a book to study and savor. Matthew Salesses, author of Craft in the Real World
Each of Fly and Stela s stories could stand on their own, but when the two finally meet, it s simply perfection. The novel brings us through 2020 and the ending left me truly speechless. So can you all read it so we can discuss? (Seriously, read this.) Hey Alma
At a recent book event Tiphanie said this book is kind of an embodiment of the phrase, when you marry someone, you marry their whole family. At its core, this book is about belonging, and the tension between being held and being kept. Delectable. Magic
"Unique and memorable . . .A rich and honest examination of family histories, cultural disconnection, and the way people fall in love." Kirkus
Soft and intricate with no detail wasted. Readers are lured into the themes of self-discovery, acceptance, and trauma, with an ending well worth the investment. Booklist
"Yanique (How to Escape from a Leper Colony) inventively juxtaposes the start of a new relationship with family histories in this sumptuous saga. . . . Each arc reads as an evocative short story and an episode in the two protagonists complex set of unraveled connections. This introspective exploration of first and lasting loves will hit the spot with fans of character-driven family dramas." Publishers Weekly
Tiphanie Yanique s Monster in the Middle is a compelling exploration of how we become who we are and how we manage to find our way to love. In her lyrical prose, the myriad possibilities of being the accidents of birth, of sex, of race and geography, the choices we make, our compulsions coalesce into something that feels, gloriously, like destiny. Natasha Trethewey, Pulitzer Prize-winning author of Memorial Drive
Monster in the Middle is as boundless as it is affecting. Yanique s prose leaps with possibility, as her characters live and laugh and fight and love. Yanique captures romance from its peaks to its craters, deftly weaving whole worlds from everything in between. Bryan Washington, author of Memorial
A total wonder. Utterly original and structurally thrilling. I am in awe of this novel and Tiphanie Yanique s masterful storytelling. This feels like a modern fable, a contemporary folk ballad full of unforgettable characters who, by the end, felt as familiar to me as family. What a gorgeous ode to love and its power. Brandon Taylor, author of Filthy Animals and Real Life
Tiphanie Yanique is one of our very best writers. This book is another marvel, expertly mixing voices and styles, even structures and traditions, to capture the way lives naturally flow together and apart over time. . .Monster in the Middle is a book to study and savor. Matthew Salesses, author of Craft in the Real World
... weniger
Kommentar zu "Monster in the Middle"
Schreiben Sie einen Kommentar zu "Monster in the Middle".
Kommentar verfassen