Disordered Attention: How We Look at Art and Performance
How We Look at Art and Performance
(Sprache: Englisch)
How technology and the attention economy has impacted contemporary art
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How technology and the attention economy has impacted contemporary art
Klappentext zu „Disordered Attention: How We Look at Art and Performance “
How technology and the attention economy has impacted contemporary art
Inhaltsverzeichnis zu „Disordered Attention: How We Look at Art and Performance “
Introduction: OS XXI, Disordering Attention1 Research-Based Art: Information Overload
2 Performance Exhibitions: Black Box, White Cube, Grey Zone
3 Interventions: Seizing the Moment
4 Invocations: Contemporary Art Quotes Modernist Architecture
Epilogue
Acknowledgements
Notes
Illustration Credits
Index
Autoren-Porträt von Claire Bishop
Claire Bishop is Associate Professor in the History of Art department at the CUNY Graduate Center, New York. She is the author of Installation Art: A Critical History; Artificial Hells: Participatory Art and the Politics of Spectatorship; and editor of Participation. in 2008 she co-curated the exhibition "Double Agent" at the ICA. She is a regular contributor to Artforum, October, Tate Etc, IDEA, and other international art magazines.
Bibliographische Angaben
- Autor: Claire Bishop
- 2024, 288 Seiten, Maße: 14,3 x 21 cm, Gebunden, Englisch
- Verlag: Durnell Marston
- ISBN-10: 1804292885
- ISBN-13: 9781804292884
- Erscheinungsdatum: 13.06.2024
Sprache:
Englisch
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