"...das berührt mich tief" - Musiktherapie und Basale Stimulation/Basale Bildung

The concept of "basic stimulation" (Basale Stimulation as used by Bienstein, Fröhlich and many others) comes originally from areas such as geriatric care and work with coma and PVS (persistent vegetative state) patients, a group needing complete care. It is based on accounts of the effect of tactile-haptic stimulation (touch) on the affective state of the client and the ways in which the client can be helped to experience such stimulation (e.g. in the holistic perception of washing procedures).

The author first encountered this work during his projects in the hospice movement, palliative medicine and gerontology. In this book he links it with the principles and practice of music therapy against a background of thought that is rooted in phenomenology and developmental psychology. Accordingly, emphasis is given to the basic connections involved in the client's tactile, haptic and auditory perception which is itself viewed as a truly multimedia experience stimulating human communication.

The practical and theoretical topics include touching and humming/ singing, touching in the structure of a sonata and singing songs relating to the client's own musical biography (with clients and / or the people closest to them). In this connection the author establishes a new theoretical context for music therapy by linking it with, and thus basing important parts of it upon, the logotherapy and existentialanalytical psychotherapy of Viktor F. Frankl.
This book is written first and foremost for all the social professions (kindergarten teachers, those caring for and teaching people with disabilities, social pedagogues, specialist nurses and carers etc.). The aim is to make clear how music can - and should - be seen as a physical stimulant and, in addition, as a factor influencing the individual's emotional and affective balance to induce vitalisation and deep relaxation. This has consequences for therapeutic care.
The book includes very simple single-tone exercises and vocal